Russellscape

Russellscape is an “endless landscape” or myriorama—a series of panels that, when placed edge to edge, form a continuous image, like the view from a moving train.

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Russellscapes

Click on the images to enlarge.

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1. Jean Lukens
“The Beekeeper’s Apprentice”. Pen and ink and colored pencil
2. Bret Herholz
“Two Shabby Figures” (based on The Beekeeper’s Apprentice). Pen and ink and photoshop
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Sabrina Flynn, from Dreaming Spies.  DigitalCollage based on 1800-1900 Japanese artwork. Jane S. from Locked Rooms chapter 2.  Colored pencil.

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3. Heather Neill
“The Beecharmer” (based on an original oil painting by the artist)
4. Sara McClelland
“Away” based on O Jerusalem (Church of the Holy Sepulchre), The Game (a palace in India), and Locked Rooms (The St Francis Hotel, San Francisco.)
Pencil, colored pencil, crayon
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5. Sara McClelland
“Home” (based on The Beekeeper’s Apprentice). Pencil, colored pencil, crayon
6. Canzonett Canzone
“Russell mapping the world” (O Jerusalem, chapter 2). Crayon, ink, pencil

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7. Charlotte Cooper“Coming into Jerusalem” (O Jerusalem); watercolor pencil and ink. Laurie R. King “Nakasendo Road from Dreaming Spies”; Hokusai art collage

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10. Rori Shapiro
Based on The Beekeeper’s Apprentice; guache

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11. Wanda Kalgren (Bachi)
Mary Russell, expert knife thrower (based on The Beekeeper’s Apprentice and O Jerusalem); Photoshop, markers and Slick Stix.
12. Bill Edwards
Based on The Beekeeper’s Apprentice, Ch. 6; Corel Painter Essentials 4.

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14. Molly Armstrong
Based on The Beekeeper’s Apprentice, Chapter 6; pencil and digital media.
Sara McClelland, from Dreaming Spies, in colored pencil

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15. Kerry Kilburn Based on The Beekeeper’s Apprentice; ink, crayon, colored pencil. 16. Kerry Kilburn Based on Locked Rooms; ink, crayon, colored pencil.

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18. Sara McClelland Language of Bees Based on images provided on website for The Language of Bees; colored pencil.  Canzonett, Dreaming Spies; Mixed Media
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Cheryl Wolder, from opening scene of Dreaming Spies; colored pencils and black ink Anne Messmer, from Dreaming Spies; oil pastels
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Melissa Coutiño, from chapter 1 of Beekeeper’s Apprentice; digital painting Linda Hay, from Dreaming Spies; acrylic paint and watercolor pencils
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Sandy Brewster, from chapter 1 of Beekeeper’s Apprentice; colored pencils

 

#21: Charlotte Cooper
“The Bee’s Eye View”
Encaustic  (beeswax,
resin, and pigment)
#22: Irene Pitcairn
Locked Rooms, Chapter 2 & 3 —
Judith after the quake
Digital painting — GIMP

#23: Sara McClelland
Lake District, God of the Hive
Colored pencil
#25: Bonnie Gladys
The Language of Bees,
Chapter 8; Russell reading
Holmes’ magnum opus
Permanent Marker & Colored pencil

#26: Olivia Moriah
The God of the Hive, Chapter 1
Coloured Pencils and Markers
#28: Joyce Weiner
The Language of Bees, Chapter 47
Pencil/colored pencil
#29: Bill Edwards
The God of the Hive, Chapter 1; The Language of Bees, Chapters 42-3
Corel Painter Essentials 4
#30: Mike Savage, www.sav-art.com
Acrylic on Bristol board
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#31: Navarre
The Language of Bees,
Prismacolor Pencils
Katy Accetta
The Language of Bees (chapters 10 & 12)
Ink & colored pencils